”I killed him. I did it for money and for a woman. I didn’t get the money. And I didn’t get the woman.”
- from Double Indemnity
H/t Steven Axelrod.
Look at this map – the Big XII is practically the only conference not rife with dead zones. Look at all those happy green dots spread across Nebraska. (Though my hometown out in the west rates only a purple dot.) The SEC and Pac-12 – you’re screwed. The B1G is mostly screwed, too.
Well, I guess it will be on the Husks to keep the B1G going. With some help from Iowa, evidently.
In 2001, I was living in Tokyo and there was this girl.
In 2002, I left Tokyo and there wasn’t this girl anymore.
In 2003, I wrote a story about her and us. Cheap loop-de-loop tricks obscured the story itself. It was sent to hard drive exile.
In 2010, I cut the crap and got to the story.
In January 2011, the story was published at Night Train.

In November 2011, the girl found me on Facebook and we friended one another. Now we exchange messages and are talking about Skyping one of these times.
Last night, I was sipping bourbon and thinking about Tokyo and her and that story and posted a status indicating as much on Facebook.
This morning, she liked my status.
This morning, I am writing about all this here.
I don’t know what word captures the moment of (inter)cultural possibility that we have arrived at here. I think we need one.
Spotted at reddit.
It is very usual for Civiliz’d and Polite Nations to look upon all others as barbarous … Europe now being the seat of learning, and Science, wherein learned Academies are set up for the Discovery of Hidden Secrets in Nature, we take all the Rest of Mankind for meer Barbarians: But Those who have Travel’d into China and Japan, must confess those People far surpass us in the endowments, both of body and mind.
-Jean Crasset, 1705
When those creatures of my imagination, the Galactic Museum-Keepers, look back on our past, with the objectivity of a vantage point near the edge of the universe, ten thousand years into the future, they will center their display on China, and cram Western civilization into a corner of some small vitrine.
- Felipe Fernandez-Armesto
Unless you like your internet to look like this:
Here’s the petition: https://www.google.com/landing/takeaction/
Thank you.
I distinctly remember as a gradeschooler wondering why those kids in Asia wanted to kill our sick and elderly.
H/t Joe Clifford.
Since its last update, I’ve been rejected an additional 14 times. Most of them have involved that same long story that The New Yorker and Paris Review liked but didn’t take. That one has been rejected 30 (yep – thirty) times so far, and is awaiting dismissal at 8 other places as we speak. When some editor finally sees fit to grab hold of this story, it’ll rate its own post on its own long strange journey.
Not going to go relive all the rejections, except to say that the turn-downs from Needle (I WILL CRACK THAT MARKET SOMEDAY, GODDAMMIT) and Shimmer and The Pedestal and Unstuck and CutBank were encouraging. Not nearly as encouraging as an acceptance, but hey.
The Failure list has been updated.
Last night I was re-reading Chapter 7 of Absalom, Absalom!, where the lynchpin of Sutpen’s motivation is finally revealed, a section I’ve always found somewhat unconvincing – really? The boy is disrespected by one house slave once in his life, and this is the reason for all that follows? – but last night, I think I finally grasped the grandeur and truth of what Faulkner was getting at. How a life sets itself upon a course, inexorably, and can in no wise stray from that course for all time after.
Not very American-dreamy of you, Mr. Faulkner! Small wonder the book is little read outside American lit classes these days. Even so, this section remains one of the finest in the English language, the sheer tidal force of the language beating your brain into joyful submission.
I’ve been reading this book every couple of years since I was 18. It gives the wondrous feeling of being a different book each time.
“The women, however modest and discreet, will wear no garments above the waist; they are not prostitutes, they say, that they should cover their bosom.”
- Élie Reclus, Primitive Folk (144-5)
One of these times I’ll get around to doing more posting, but in the meantime, Merry Xmas, wherever you happen to find yourself.
This is one hell of a song. With apologies to Robert Earl Keen, my new favorite Xmas tune. Listen all the way through for full effect.
David Cranmer at Beat To A Pulp rejected me, twice, kindly and personally. Beat To A Pulp – along with Needle – are pulp markets I WILL CRACK. You heard it here first, people.
Mid-American Review reports that “there were quite a few favorable comments made, supporters of your work speaking up on its finer points.” I would like to hug those supporters. I wish there more of them. Enough to get this goddamn story published.
Shotgun Honey didn’t feel the story was right, but told me to keep ‘em coming. All right.
Connotation Press fiction editor Meg Tuite and I have been corresponding on a few stories – she’s already taken one; it’s just that the other wasn’t right. We’ll work on it.
Apex regrets to inform me &c.
Asimov’s appreciates, but &c.
Harpur’s Palate thanks me but &c.
I’m going to be posting monthly over at Specter+ (soon to be renamed). My first essay is on race, Hank Williams, Jr., and my own biracial family. It opens thusly:
Many years ago I was a waiter in a tiny Cajun/Creole restaurant in Omaha. Worked with a chef there, name of Jerry. He was an itinerant fellow. He’d left DC some years previously, working his way down South and out to the West Coast. Now he was slowly working his way back to DC.
After the place shut down the two of us sometimes sat up front helping ourselves to beers from the bar cooler, speaking truths. I was 20. I didn’t know any truths. Jerry was forty-something, a black man in America. He knew plenty.
“The thing about the South is,” he said, “you know where you stand.”
“What do you mean?” I asked.
“Down there they’ll call you a nigger to your face.”
Head on over to Specter to read the rest.
Thanks to Mensah Demary, editor, for pushing me on this piece.









